Pulp Redux

Things have been a little hectic of late, now I know that sounds familiar but well that's life here, always on the go! For those of you that don't already know I am so pleased to announce that I am a part of what I am sure is going to be a fabulous altered book collaboration with another 5 wonderful artists! Introducing...


Pulp Redux!

A fabulous altered book collaboration with Lisa from Lucky Dip, Debrina from Debrina's Diary, Alicia from Altered Bits, Andrea from
The Artful Eye and Lisa from Mudhound Primitives and yours truly of course, LOL! We would of course love to have you all pop in and follow the collaboration as it makes its progress across continents and countries changing, altering and growing along the way. Click on the logo below or the sidebar of this blog to jump over for a peek. Don't forget to say hi while you're there either!



So what am I doing for the collaboration...

well that would be a book you sillies, LOL!

Oh, okay, you really want to know the details, well here goes.
In keeping with the pulp redux theme, I have gone for an already exisiting book to alter rather than a new book construction.

The book below is the choice, a Dutch text -'An Introduction to English Art'.

How apt an art book for an altered book, LOL!

As you can see just you're average book. The book is 10" x 7" so large enough for plenty of fun but hopefully not to large to post as weight will be an issue as it progresses through everyone.

The book has some beautiful pictures and I have had to thin it down by a third to accomodate lumps and bumps for additions by everyone so out went the gorgeous pics. I have included one here to show you.

Gainsborough, Yummmm!


After some thinning, time to get to work creating a cover. Nothing too complex. It needs to set the theme but not be too heavy for postage or overly embellished as I don't want bits falling off with postage and handling and also as I expect I will be rebinding the book on it's eventual return back to Oz, so simple to kick off I think!

Time to chop!

Wow, aren't old book boards tough going but at last a hole. The start of what will be a niche for the new title of the book.
For those of you who know me, I think I will be doing a little more altering here.
That blue has got to go and I have one or two other ideas as well.

Don't forget to pop over to the Pulp Redux blog site and say hi. We would love to hear from you all!

Now where did I put those matches...

Dorian's Picture in Black and White

The lovely and enormously hard working Alicia Caudle over on altered bits has just put out the latest bumper edition of her eZine.
The latest theme is black and white and honestly she has sooo out done herself here. The zine is so enormous it has had to be uploaded in two sections. It is jam packed full with art from an amazing array of artists. Honestly there is something in there for everyone and you can access it for free. What are you waiting for run...now!!!

Stop!!! At least wait to read the rest of this post first, LOL!

I will be so terribly disappointed if you don't as I'm in it!!!

Here's the cover, a sneaky peek at everyones work is in there somewhere.





My own contribution is an assemblage based on the Oscar Wilde novel 'The Picture of Dorian Gray'.
A fabulous read if you have never gotten around to reading it and you like gothic horror novels, and it is relatively short if you have limited time to spare.

Oscar Fingal O'Flahertie Wills Wilde (wow now there's a mouthful and yes he was Irish) was one of the most notorious and successful playwrights of the late Victorian era. He is probably best known for his play 'The Importance of Being Earnest' (which I also love) and his biting wit. Wilde lived what could possibly best be termed a colourful life and 'The Picture of Dorian Gray' probably reflects much about his views on the social circles he moved within as the novel is set in Wilde's contemporary times.

Oscar Wilde

The story first appeared as a short story in Lippincott's Monthly Magazine in 1890. I have used a copy of the magazine image and altered the colours to greyscale to fit in with the black and white theme. Wilde did several rewrites of the original story adding further background material to flesh out the character of Dorian Gray. The end result is a classic piece of gothic horror which still rates as a good read today.

The basic plot revolves around the central character, Dorian Gray and a portrait painting of Dorian done by an artist friend who is taken with Dorian's beauty. The artist introduces Dorian to Lord Henry who espouses hedonistic views and gradually Dorian becomes aware that his beauty will eventually fade and in desperation wishes that the image in the portrait would age instead of himself. The wish is fulfilled. Dorian gradually begins to slip into Lord Henry's hedonistic life, surpassing his mentor and eventually his moral decline leads him to explore a life of vice and sin which eventually lead him to commit a series of murders to enable him to continue living his decadent life. The portrait changes with each new sin committed, twisting and aging the subject as it reflects Dorians debauched life. Dorian of course remains unchanged, still the vision of the beautiful youth, but underneath the shell lies a corrupt and degraded man.

Here's the original cover of the Lippincott publication in which the story appears in print for the first time.


In order to represent the story in an assemblage it was necessary to reinvent the idea of the 'portrait' from the story. To convey the sense of change that the portrait undergoes I decided to remove various sections of the portrait to represent the change the picture undergoes as Dorian slips further along his path of moral decay and decline. In the portrait for the assemblage only the eyes of the portrait remain, the rest eaten away by Dorian's decline into hedonism. The background is the altered Lippincott cover, changed to gray scale in keeping with the b&w theme. The other supporting items relate to the various sins Dorian commits over his life to continue his decadence unopposed.

Here's the piece.

The piece formed quickly as they sometimes do and you find yourself in the zone. I was thrilled to be in Alicia's zine and especially when I look at the other artistic endeavours included here. The range of pieces for inclusion is astounding and I love everyone's differing ideas and pieces within the central theme and can't wait for the next one. (I have already started on some ideas!) Alicia has slaved away tirelessly to get the mag up online with the result that she is in need of a good rest and recuperative period. Hope your feeling the love hon, enjoy your rest you well and truly deserve it. Thank you for all your efforts, they have been amazing!

So there you have it. Please visit the mag here and drop in to Alicia's blog and leave a little love
to let her know you took the time to visit. It is truly inspiring to find people who devote huge time and effort in order that we can enjoy these publications for free. It isn't everyday you can say that anymore. You can also visit the other contributing artists blogs. Their contact details are on the mag too!

Two pieces of interesting info from researching Dorian Gray and Oscar Wilde!

1. Quote from Dorian Gray-

"Every portrait that is painted with feeling is a portrait of the artist, not of the sitter... it is rather the artist who, on the coloured canvas, reveals himself."

True I believe. Our art work speaks volumes about us, the artists, and loudly too!

and

2. Just a month before his death Oscar Wilde is quoted as saying, "My wallpaper and I are fighting a duel to the death. One of us has got to go."

(I know what he meant, LOL!)

Sadly the wallpaper won.